1. Open Tablet Properties
2. Change one of the buttons to ‘erase’
Now when you are in brush mode and you hold down that button on your stylus, your brush will temporarily turn into an eraser! Just release it to return to brush mode and keep painting.
The temporary eraser will have the same settings as the last eraser you used
BONUS TIP: To do this without changing your preferences, just press and HOLD the “e” key to erase temporarily. Keep holding the “e” key until you are done erasing, then when you lift your stylus and then release the “e” key your tool will switch back to the brush tool!
I know you can flip the stylus over and erase, but why interrupt your flow when you can just press on a button?
If, like me, you loved being able to select any tool (usually the eraser) and then pick from your most recent brushes to convert a paint brush to an eraser, or a mixer brush, or a smudge tool with all dynamic setting intact you can’t do this anymore with the latest Photoshop update (v 19) You can still use the clear mode trick to convert your brush to an eraser which I go over in the aboce video inclusing the keyboard shortcuts.
The keyboard shortcut I use in the video are
Sometimes people ask me which brush I used to do the shading in this painting and when I tell them it’s the ‘Ocean Liner‘ brush they usually don’t believe me and I really don’t blame them because this is the stroke most people get when they use the ocean liner brush:
The fact is that most Photoshop brushes have a wide range of looks that you can get simply by varying the pressure of your stylus and sometimes you can find some of the most interesting effects at the very low end of the pressure scale.
By charging the brush size slightly from 20 to 45 pixels and stroking ever so lightly, and lifting my stylus between strokes (this part is important!) I can begin to build up this nice texture.
BeforeBefore and After ShadingAfter
Now I probably wouldn’t set out to create this with this brush but the point is to not accept your brushes at face value. Experiment and investigate how they behave at the very lowest stylus pressure ranges and you may discover that they, like you, have hidden talents.
I will be doing a series of tutorials on how to use the GrutBrushes Photoshop Impasto brushes but this short video above shows a few brief tips.
– Vary your stylus pressure and use short strokes for a more organic look
– Use a flatter Photoshop brush to block in large areas
– Press softly on your stylus to blend or soften texture
– Push harder when you want more texture
– Use alt/option to pick colours from your painting
One of the great things about digital painting is that your canvas can be your palette. By holding down the ALT or Option key in Photoshop you can pick a new color from your current painting’s canvas and continue on. Here you can see me travel a tremendous distance from light to dark just by picking a new darker color from the crevices of my previous impasto brush strokes in Photoshop. This was painted using the new Linsee Dew Photoshop Impasto Oil brush
Relive your memories of a night out with friends as a glorious Lightsaber battle instead by adding Lightsabers to all your photos in just a few clicks with these free Photoshop brushes. Use the hashtag #drinksaber so that I can find your creations!
I do so many doodles and demos demonstrating one particular brush but the real fun comes when you use multiple brushes, each with it’s own strengths and personalities. This sketch uses 3 different brushes, Gulf Stream, a broad ranged responsive ink brush, Linoleum Roll, a wide grungy textured brush and Lazy Fair, a whispy ink brush with visible bristle marks.
Watercolor in Photoshop can be just as tricky as real watercolor and some of the same techniques apply. A little forethought can go a long way as digital paint ‘dries’ when you lift your pen so ideally you want to do one contiguous area in one unbroken brush stroke. Don’t lift the stylus from the tablet and be prepared that each subsequent stroke will give you a darker colour (see the hair in the top left) due to the multiply effect. Think of it as laying down multiple layers of coloured plastic sheets – the areas where they overlap will be darker and you will see the seams.