
Get it for free all week on the free Photoshop brush of the week page.






Get it for free all week on the free Photoshop brush of the week page.
This week’s free Photoshop brush is a big broad brush that covers your image in a fast flowing cloud of debris. Like a broken sack of coal this brush is capable of a light dusting, but with a little more stylus pressure it will release a thick billowing dust cover. Get it for free all week on the free Photoshop brush of the week page
This week’s free Photoshop brush is Slight Yell, an ink brush with a very smooth controllable ramp up from eyelash fine line to fat round width and worn edges at the highest pressure. Useful for tasks from line drawings to lettering. This one is an atypically large file size (almost 3MB whereas most are a few kilobytes) so if you don’t use it you may want to delete it from your Tool Presets after you try it out.
This week’s free Photoshop brush is the Lonely Goal Photoshop ink brush. A Photoshop ink brush with a wavy stroke as if drawn with a substandard fountain pen or a clogging quill. You can download it on the Free Brush of the Week page until next Monday when there will be a new brush available.
This week’s free Photoshop brush is “Chin Chatter” A very grainy natural media brush, with a messy medium spread in terms of grain size and breadth From gritty sand to small pebbles this brush sprays out particles like gravel from a wood chipper
There is a new free Photoshop brush on the free brush of the week page every Monday
This week’s free Photoshop brush is a sloppy ink brush with a broad erratic tip with generous flow but the edge contours of a dry brush This brush starts out as a scratchy intermittent texture and ends in a thick wet opaque line with a slight edge splatter at full pressure. As always, you can download this on the free brush of the week page through Sunday the 17th of April when there will be a new free brush.
This week’s free GrutBrush is an airy specialty brush that produces a light whispy texture like a faint pencil drawing.
As always, you can download it for free from the free brush of the week page until Monday when there will be a new free Photoshop brush. After that you can still get this brush here or as a part of the ArtBrushes Complete set.
This week’s free GrutBrush ( grutbrushes.com/freebrush ) is a specialty brush which mostly means that it doesn’t quite fit perfectly into any of the traditional media categories like charcoal, ink, watercolour, etc. Nor does it quite fit into my catch-all category “Natural Media” where I normally place brushes that behave and look like traditional media. This is what I call a ‘Specialty’ brush. Tthey tend to have a look that is quite unique that makes them suitable for one particular tasks rather than general drawing or painting. you wouldn’t chose a specialty brush to take a message while on the phone or draw a map to your house.
To create this drawing I alternated between black and white a lot (using the ‘x‘ key shortcut) and used the white to carve away at the black lines, sometimes shaping them into finer points than the brush weight allowed. When I was done, I turned the layer into an overlay, over the paper texture and toned down the white parts of my drawing using hue/saturation to the point where it is still just slightly visible, almost as if it’s a faint water stain, like wet sand off a shoreline. I then added a tetxured overlay of the paper on top of the black areas to give it a more ‘lived in’ look and integrate it a bit more with the paper backing. A flat layer of colour on a natural background always looks too artificial to even be a part of it’s own background, nothing in real life is one single colour or tone.
This drawing is also the start of a bit of a departure from the usual demo images, not in the content or style, which is my usual doodley sketch style, but in the rules I set for myself when creating it and it’s something I hope to be doing more of from now on. For the past year, I usually set myself pretty tight rules on how I present the demo images, I try to make sure I only use that one brush, ‘as is’, I don’t change the width, I don’t manipulate the appearance of the lines, I used to stick to only one that brush for the whole piece. In the beginning I even tended to restrict myself to black and white to present what I felt was the most accurate depiction of what the lines look like so that you know exactly what you’re getting when you download the brush. This year I am going to try (spare time permitting) to relax my self imposed rules and have a bit more fun with the brushes for a few reasons: